- Jaranan,
- ritual communication,
- traditional art,
- community culture,
- qualitative research
Copyright (c) 2024 Davina Ardaneza Pramestiwi, Kukuh Sinduwiatmo
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
General Background: Culture is a dynamic method that evolves within communities, shaping their identities and practices. Specific Background: This study focuses on the ritual communication involved in the traditional art of Jaranan Branasti Putro, originating from Ringinsari village in Kediri Regency, Indonesia. Jaranan is a performance art infused with mystical elements, often featured in celebratory events. Knowledge Gap: While the significance of ritual communication in traditional arts is recognized, comprehensive analysis of its role in Jaranan performances remains underexplored. Aims: This research aims to investigate the various stages of ritual communication in Jaranan Branasti Putro and their impact on audience appreciation. Results: Utilizing a descriptive qualitative method, the study collected data through purposive sampling interviews, documentation, and observations, revealing that ritual communication is not only central to the performance but also contributes to the overall entertainment value of Jaranan. Novelty: This research highlights the dual nature of Jaranan art as both a mystical and entertaining practice, emphasizing the importance of community involvement in sustaining this cultural expression. Implications: The findings underscore the need for continued support and engagement within the community to preserve the Jaranan Branasti Putro tradition, ensuring its relevance and accessibility for future generations.
Highlights:
- Jaranan Branasti Putro blends mysticism with entertainment in performances.
- Ritual communication stages enhance audience engagement and appreciation.
- Community involvement sustains cultural traditions and practices.
Keywords: Jaranan, ritual communication, traditional art, community culture, qualitative research
References
- W. A. Sejati, “Tata Ritual Pada Jaranan Paguyuban Suko Budoyo Di Dusun Wakung, Desa Sukorejo, Kecamatan Wilangan, Kabupaten Nganjuk (Tintingan Folklor),” pp. 1–17.
- S. N. Arsanti and A. Trilaksana, “KOMUNITAS MASYARAAT SENI SOLAH WETAN SEBAGAI PELESTARI KESENIAN REYOG PONOROGO DI KECAMATAN SAWOO KABUPATEN PONOROGO TAHUN 2009 – 2019 Volume 15 , No . 2 Tahun 2024,” vol. 15, no. 2, pp. 1–13, 2024.
- O. Pujiningtyas, “Eksistensi Kesenian Jaranan Guyubing Budaya Kelurahan Blitar Kecamatan Sukorejo Kota Blitar,” Fak. Seni Pertunjuk. Inst. Seni Indones. Surakarta, pp. 1–149, 2019, [Online]. Available: http://repository.isi-ska.ac.id/3888
- H. Hardiman and A. Ardianto, “Kabhanti Wuna Media Komunikasi Tradiosonal Dan Tantangannya Di Era Globalisasi,” Potret Pemikir., vol. 20, no. 2, 2016, doi: 10.30984/pp.v20i2.751.
- F. Fitriyani, M. Adil, and K. Bukhori, “Pola Komunikasi Ritual Kembar Mayang: Kajian Etnografi Komunikasi pada Etnis Jawa,” Intizar, vol. 26, no. 2, pp. 81–94, 1970, doi: 10.19109/intizar.v26i2.7854.
- S. Handayani, “Agriculture and Ritual: Pola Komunikasi Ritual Slametan Musim Tanam Padi di Ngemplak, Sambikerep, Surabaya,” J-IKA J. Ilmu Komun. Fak. Ilmu Komun. Univ. BSI Bandung, vol. 5, no. 1, pp. 40–50, 2018, [Online]. Available: http://ejournal.bsi.ac.id/ejurnal/index.php/jika
- S. D. Danuba, “Komunikasi Ritual Tradisi Nganggung Sepintu Sedulang 2017 (Studi Kasus Penduduk Lokal dan Penduduk Pendatang Pangkalarang Kota Pangkalpinang),” vol. 7, pp. 1–25, 2018.
- M. M. Sari, “MAKNA KOMUNIKASI NONVERBAL SENI PERTUNJUKAN JARAN KEPANG TURONGGO PUTRO DI BAGAN BATU KABUPATEN ROKAN HILIR,” vol. 4, no. 1, pp. 1–17.
- L. S. Kinanti, “Makna Ritual Dalam Persiapan Pementasan Kesenian Jaranan Pada Sanggar Kesenian Jaranan Legowo Putro di Desa Sugihwaras, Kabupaten Nganjuk Laras,” pp. 1–17.
- Y. T. Laksono, “Communication and ritual on jaranan pogogan: The semiotics of performing arts,” J. Stud. Komun. (Indonesian J. Commun. Stud., vol. 5, no. 2, pp. 493–508, 2021, doi: 10.25139/jsk.v5i2.3061.
- R. Agung and D. Soetopo, “Budaya Kesurupan Seni Tradisi Jaranan Di Banyuwangi,” FKIP Univ. PGRI Banyuwangi Semin. Nas., pp. 15–24, 2019, doi: 10.31227/osf.io/tqhya.
- M. B. Miles and A. M. Huberman, Qualitative Data Analysis, 2nd ed. SAGE Publications, 1994.
- Y. D. Manafe, “Komunikasi Ritual pada Budaya Bertani Atoni Pah Meto di Timor-Nusa Tenggara Timur,” J. ASPIKOM, vol. 1, no. 3, p. 287, 2011, doi: 10.24329/aspikom.v1i3.26.
- D. Z. Mufrihah, “Fungsi Dan Makna Simbolik Kesenian Jaranan Jur Ngasinan Desa Sukorejo Kecamatan Sutojayan Kabupaten Blitar,” Mudra J. Seni Budaya, vol. 33, no. 2, pp. 171–181, 2018, doi: 10.31091/mudra.v33i2.337.
- R. Palevi, K. B. Prasetyo, and T. Rochana, “Eksistensi Kesenian Jaran Kepang Dalam Arus Industri Pariwisata Di Dusun Suruhan Desa Keji Kabupaten Semarang,” Solidar. J. Educ. Soc. Cult., vol. 5, no. 1, pp. 77–83, 2016, [Online]. Available: http://journal.unnes.ac.id/sju/index.php/solidarity