Vol 11 (2022): March
Arts and Heritage Development Articles

Audience's Meaning of Marriage Procession in "Atta and Aurel's Love Bond" Show
Pemaknaan Audiens Tentang Prosesi Pernikahan dalam Tayangan “Ikatan Cinta Atta dan Aurel”


Mitha Adilina
Universitas Muhammadiyah Sidoarjo, Indonesia
Nur Maghfirah Aesthetika
Universitas Muhammadiyah Sidoarjo, Indonesia *

(*) Corresponding Author
Picture in here are illustration from public domain image or provided by the author, as part of their works
Published March 31, 2022
Keywords
  • Television,
  • Reception Analysis,
  • Audience Meaning,
  • Indonesian Marriage
How to Cite
Adilina, M., & Aesthetika, N. M. (2022). Audience’s Meaning of Marriage Procession in "Atta and Aurel’s Love Bond" Show. Indonesian Journal of Cultural and Community Development, 11, 10.21070/ijccd2022796. https://doi.org/10.21070/ijccd.v11i0.796

Abstract

The phenomenon of artist marriages being broadcast live on television is now becoming more and more common. Television is one form of mass communication technology development that many people choose so that viewers can now get all the information they need in a simple way. With so many broadcasts on television, researchers are interested in discussing the audience's meaning of one of the most widely discussed shows, namely the wedding broadcast of a pair of public figures in the event "Ikatan Cinta Atta and Aurel" broadcast by RCTI. Therefore, the researcher wants to know how the audience's acceptance of wedding shows and the diversity of wedding culture in Indonesia in the "Atta and Aurel Love Association" event. The researcher used the reception analysis method with a qualitative research approach which was carried out by in-depth interviews with ten informants in Entalsewu Village RW 04 Buduran Sidoarjo. In selecting the informants, the researcher used purposive sampling technique. The result of this research is the audience's meaning which is classified into three positions, namely Dominant Position, Negotiated Position and Optional Position. there are seven informants who are included in the Dominant Position, then there are two informants who are included in the Negotiated Position, and finally there is one person who is included in the Optional Position.

References

  1. Effendy, Onong Uchjana 2000, Ilmu Teori dan Filsafat Komunikasi, Bandung: PT. Citra Aditya Sakti.
  2. Subroto, Darwanto Sastro, 1994, Produksi Acara Televisi, Yogyakarta: Duta Wacana University Press.
  3. Wibowo, Fred, 1997, Dasar-Dasar Produksi Program Televisi, Jakarta: Grasindo.
  4. Teguran tertulis KPI dalam http://www.kpi.go.id/index.php/id/umum/38-dalamnegeri/36165-pemanggilan-rcti-soal-siaran-pernikahan-atta-aurel-kpitekankan-kepentingan-publik-harus-diutamakan [diakses pada hari Jumat, tanggal 21 Mei 2021 pukul 09:55 WIB].
  5. Teguran tertulis KPI dalam http://www.kpi.go.id/index.php/id/umum/38-dalamnegeri/36166-kpi-pusat-ingatkan-rcti-dan-lembaga-penyiaran-televisiagar-memperhatikan-kemanfaatan-dan-kepentingan-publik-pada-suatuprogram-siaran [diakses pada hari Jumat, tanggal 21 Mei 2021 pukul 09:10 WIB].
  6. Iskandar, Metodologi Penelitian Kualitatif (Jakarta: Gaung Persada, 2009) cet.1 h. 11.
  7. Burhan Bungin, “Penelitian Kualitatif: Komunikasi, Ekonomi, Kebijakan Publik, Ilmu Sosial Lainnya”. Jakarta:
  8. Moleong, Lexy J. 2004. Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya..
  9. Sugiyono. 2007. Metode Penelitian Kuantitatif Kualitatif dan R&D. Bandung.
  10. Emzir. 2010. Metodologi Penelitian Pendidikan:Kuantitatif dan Kualitatif. Jakarta: Rajawali Pers.
  11. Prof. Dr. H. Mudjia Rahardjo, M. Si. Metode Pengumpulan Data Penelitian Kualitatif. (Online). https://www.uin-malang.ac.id/r/110601/metodepengumpulan-data-penelitian-kualitatif.html. [Diakses tanggal 07 Februari 2021 pukul 09:13].