- Kuntilanak,
- Film Horor Indonesia,
- Analisis Semiotika Roland Barthes,
- Women on the Movie
Copyright (c) 2022 Sania Safira Luniar, Poppy Febriana
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
Many of Indonesia's horror films raise myths that are very strong among the public, such as the myth about the Kuntilanak ghost. Kuntilanak, the ghost of a woman who is pregnant is often featured in films, this ghost is often described as a ghost who has a lot of grudges and is usually abused by irresponsible people such as being used for pesugihan. By researching the film Mangkujiwo, which tells how the Kuntilanak ghost was born. This study also aims to describe how Kuntilanak is portrayed in the film both during his life and after becoming a Kuntilanak ghost figure. The type of research used in this research is descriptive qualitative, this research uses Roland Barthes' semiotic research methods, markers, signifiers that exist at the denotative and connotative levels. In addition, data collection was carried out by means of observation and documentation. The results showed that the image of Kuntilanak in the film Mangkujiwo shows the existence of violence both physically, mentally and sexually, spiritually, besides that it also shows that during his life he was described as a comfort woman and even used as a sacrifice for knowledge. black. Where the violence is mostly done by the figure of Kuntilanak both before and after death.
References
- Aditya Mulyana, F. F. (2019). Representasi kekerasan dalam Film "THE RAID : REDEMPTION". JURNAL APIK.
- Almanshur, F. G. (2012). Metodologi Penelitian Kualitatif. Yogyakarta: Ar-Ruzz Media.
- Ayun, P. (2015 ). Sensualitas dan Tubuh Perempuan Dalam Film-Film Horor Indonesia (Kajian Ekonomi Politik Media). Jurnal Simbolika Volume 1, 16-26.
- Dr. Satinem, M. (2019). Apresiasi Prosa Fiksi: Teori, Metode, dan Penerapan. Yogyakarta: Deepublish Publisher.
- Dwijayanti, R. G. (2018). Perspektif Feminis Dalam Media Komunikasi Film. JURNAL ORATIO DIRECTA,VOL.1,NO.2, 174-211.
- Hariyani, N. (2018). ANALISIS SEMIOTIKA REPRESENTASI CITRA PEREMPUAN. Jurnal Penelitian Ilmu-ilmu Sosial, 20-21.
- Harrington, E. (2018). Women, Monstrosity and Horor Film: Gynaehorror. New York: Routledge.
- Harrington, E. (2018). Women, Monstrosity and Horror Film : Gynae Horror. New York: Routledge.
- Imanjaya, E. (2006). A-Z About Film Indonesia . Bandung: Mizan.
- Jafar Lantowa, N. M. (2017). Semiotika: Teori, Metode, dan Penerapannya dalam Penelitian Sastra. Yogyakarta: CV BUDI UTAMA.
- Kosakoy. (2016). Representasi Perempuan Dalam Film “Star. JURNAL E-KOMUNIKASI, 04.
- M, I. (2019). Fenomena Film Horor Indonesia - Dari Babi Ngepet HIngga Jelangkung. Jakarta: TEMPO Publishing.
- Panuju, R. (2019). Film sebagai Proses Kreatif. Malang: Inteligensia Media.
- Romdhoni, A. (2016). Semiotika Metodologi Penelitian. Depok: LITERATUR NUSANTARA.
- Ruslan, R. (2013). Metode Penelitian Komunikasi dan Public Relations. Jakarta: Raja Grafindo Persada.
- Santoso, W. M. (2011). Sosiologi Feminisme: Konstruksi Perempuan dalam Industri Media. Yogyakarta: LKIS.
- Sarwono, J. (2006). Metode Penelitian Kuantitatif dan Kualitatif. Yogyakarta: Graha Ilmu.
- Sobur, A. (2013). Semiotika Komunikasi. Bandung: PT Remaja Rosdakarya.
- Vera, N. (2014). Semiotika dalam Riset Komunikasi. Bogor: Ghalia Indonesia.
- Yelly, P. (2019). ANALISIS MAKHLUK SUPERIOR (NAGA) DALAM LEGENDA DANAU KEMBAR. Jurnal Serunai Bahasa Indonesia Vol 16, No. 2, 121-125.