Gender Role Analysis of Mulan and Bori Khan in Mulan 2020 Film
Analisis Peran Gender Tokoh Mulan dan Bori Khan dalam Film Mulan 2020
-
(1) Surya Citra Universitas Muhammadiyah Sidoarjo
Indonesia
(2) * Poppy Febriana
Universitas Muhammadiyah Sidoarjo
Indonesia
(*) Corresponding Author
Abstract
Gender is an access in determining our choices regarding education, health, life expectancy, and freedom of movement. These biological differences provide indications and implications that the two sexes have different roles and tasks. These stereotypes also make the film world gave birth to feminist films. The film Mulan 2020 is the result of that stereotype. The purpose of this study was to determine the depiction of the gender roles of men and women in the characters of Mulan and Bori Khan in the film Mulan 2020. This research is a descriptive qualitative type of research using the semiotic analysis method of Charles S. Peirce. semiotic analysis of Charles S. Peirce To explain the icon (icon), index (index) and symbols (symbol) in the film Mulan 2020. The results of this study indicate that the gender roles of men and women in the film Mulan 2020 still refer to the socio-cultural structure that There are, such as men who can provide a living for the family, while women as wives are in charge of taking care of children and taking care of the household.
References
Wood, Gendered Live: Communication, Gender, and Culture, Wadsworth:: Cengage Learning, 2009.
A. Rokhmansyah, Pengantar gender dan feminisme: Pemahaman awal kritik sastra, Yogyakarta: Garudhawaca, 2016.
A. P. Kirana, "Analisis Wacana Stereotip Gender Perempuan dalam Film Kartun Anak (Studi Analisis Wacana Kritis Model Sara Mills dalam film Animasi Disney Princess Mulan)," Universitas Brawijaya, Malang, 2019.
M. E. Dewi and C. Nugroho, "Wacana Ketidak Setaraan Gender Pada Film Siti," e-Proceeding of Management : Vol.4, No.3, pp. 3055-3062, 2017.
A. Aziz, "Relasi Gender Dalam Membentuk Keluarga Harmoni (Upaya Membentuk Keluarga Bahagia)," HARKAT: Media Komunikasi Islam Tentang Gebder dan Anak, 12 (2), pp. 27-37, 2017.
M. A. Anjirbag, "Mulan and Moana: Embedded coloniality and the search for authenticity in Disney Animated film," Journal Soc. Sci, 7(230), pp. 1-15, 2018.
S. S. Sasongko, Konsep dan Teori Gender, Jakarta: BKKBN, 2009.
I. S. W. Wibowo, Semiotika Komunikasi Aplikasi Praktis Untuk Penelitian dan Skripsi Komunikasi (semiotik,komunikasi,penelitian kualitatif), Jakarta: Mitra Wacana Media, 2013.
N. Vera, Semiotika dalam Riset Komunikasi, Bogor: Ghalia Indonesia, 2015.
S. Antelope, "Angle Kamera," 3 Mei 2019. [Online]. Available: https://studioantelope.com/istilah-shot-dalam-film/.
A. Fatihani, "Representasi Guk dan Yuk Sebagai Duta Wisata Kabupaten Sidoarjo dalam Instagram," ELIB Umsida, Sidoarjo, 2018.
E. Y. Kristanti, "temuan baru wajah manusia ternyata punya 21 ekspresi," 1 April 2014. [Online]. Available: https://www.liputan6.com/global/read/2030800/temuan-baru-wajah-manusia-ternyata-punya-21-ekspresi.
A. Sobur, ANALISIS TEKS MEDIA Suatu Pengantar untuk Analisis Wacana, Analisis Semiotik dan Analisis Framing, Bandung: Remaja Rosdakarya, 2018.
A. Widyawati, “Representasi Peran Gender Dalam Film India (Analisis Semiotika Roland Barthes Pada Tokoh Kabir Dalam Film Ki and Ka),” Universitas Brawijaya, Malang, 2016.
A. Sobur, Semiotika Komunikasi, Bandung: Remaja Rosdakarya, 2017.
M. Sutrisno, Teks-teks kunci estetika : filsafat seni, Yogyakarta: Galang Press, 2005.
N. N. Dewi and R. Kusuma, "Peran Gender Dalam Film Religi Islam Indonesia (Studi Analisis Isi Kualitatif Peran Gender dalam Film Religi Islam Indonesia)," Eprint Ums, Surakarta, 2017.
IMDb.com, "IMDb.com," 31 Maret 2000. [Online]. Available: https://www.imdb.com/title/tt0120762/?ref_=nv_sr_srsg_3.
IMDb.com, "IMDb.com," 21 Desember 2020. [Online]. Available: https://www.imdb.com/title/tt4566758/?ref_=nv_sr_srsg_0.
Copyright (c) 2022 Surya Citra, Poppy Febriana
This work is licensed under a Creative Commons Attribution 4.0 International License.
