Indonesian Journal of Cultural and Community Development
Vol 15 No 1 (2024): March
Arts and Heritage Development Articles

Ideological-Aesthetic Significance of Stropha in the Poetry of the Independence Period
Signifikansi Ideologis-Estetis Strofa dalam Puisi Masa Kemerdekaan


Article View
  • Oripova Gulnozakhan Murodilovna*
Oripova Gulnozakhan Murodilovna
Department of Philology, Fergana State University, Uzbekistan *

(*) Corresponding Author
Picture in here are illustration from public domain image or provided by the author, as part of their works
DOI: https://doi.org/10.21070/ijccd.v15i1.1010
Published January 1, 2024
Keywords
  • Strofa,
  • Ideological-Aesthetic Property,
  • Rhythm,
  • Poetic Thought,
  • Artistic Detail
How to Cite
Murodilovna, O. G. (2024). Ideological-Aesthetic Significance of Stropha in the Poetry of the Independence Period. Indonesian Journal of Cultural and Community Development, 15(1), 10.21070/ijccd20241010. https://doi.org/10.21070/ijccd.v15i1.1010

Copyright (c) 2024 Oripova Gulnozakhan Murodilovna

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

This study delves into the exploration of ideological-aesthetic and artistic poignancy within independence-era poetry through an analysis of strophic structures. Employing psychological, structural-poetic, and descriptive techniques, the research examines both the internal and external compositional properties of strophes. By focusing on the poetry of notable figures such as Sirozhiddin Sayyid, Fakhriyor, Abdulla Qutbiddin, Abdullah Sher, and Ulugbek Hamdam, various strophic structures are identified and analyzed. The conclusions drawn from this scientific inquiry serve as the foundation for advancing the scientific-theoretical understanding of lyrical genres in poetry, contributing valuable insights to the broader scholarly discourse.

Highlights:

  • The study investigates the intricate strophic structures of independence-era poetry, shedding light on their ideological-aesthetic significance.
  • Psychological, structural-poetic, and descriptive techniques are utilized to dissect both internal and external compositional properties of strophes.
  • By analyzing works of prominent poets like Sirozhiddin Sayyid and Abdullah Sher, the research contributes to a deeper understanding of lyrical genres and their artistic implications in poetry.

Keywords: Strofa, Ideological-Aesthetic Property, Rhythm, Poetic Thought, Artistic Detail.

Article View

References

  1. S. Sayyid, "Study the homeland," Tashkent: Chulpan, 1996, p. 33.
  2. S. Sayyid, "Word path. Selected works. Volume 1," Tashkent: East, 2008, p. 75.
  3. N. Karimov, "Landscapes of literature of the XX century," Tashkent: Uzbekistan, 2008, p. 361.
  4. D. Kuronov, Z. Mamajonov, and M. Sheralieva, "Dictionary of literary studies," Tashkent: Akademnashr, 2013, p. 62.
  5. Fakhriyor, "Look," Tashkent: Akademnashr, 2017, p. 195.
  6. D. Kuronov, "Theoretical notes," Tashkent: Akademnashr, 2018, p. 70.
  7. M. Yolandeva, "The main features of current Uzbek modern poetry," Phil.fan.nomz...diss., Tashkent, 2004, p. 52.
  8. A. Qutbiddin, "There is," Tashkent: G'. Publishing house named after Ghulam-creative House of printing, 2011, p. 12.
  9. U. Hamdam, "I waited for you," Tashkent: Science, 2007, p. 142.
  10. Z. Kabulova, "In Modern poetry, the unity of form and content (B. 1963) is a work of the Genjemurodov and he. On the example of Hamdam poems," Uzbek language and literature, vol. 2019, no. 2, p. 76.
  11. A. Sher, "Flower years, Nightingale years," Tashkent: G'. Publishing house named after Ghulam-creative House of printing, 2012, p. 301.
  12. U. Shanov, "Theory of literature. Two-roof. Volume 1," Tashkent: Science, 1978, p. 294.